I’m currently writing this on a train heading to Brooklyn, on my way back from meeting my father in the city to pick up my newly-minted passport, which I need for my trip to Vancouver on Tuesday, but first I need to get to Mill Basin by 3pm today for dinner, wearing the navy blue H&M button shirt I was told to wear, told to wear partly to ease my anxiety about making sure I was dressed appropriately and partly to get me to shut up about my anxiety, especially since the dinner is with a bunch of people I already know and who like me and I have no reason to worry, but since I’ve been so busy I haven’t had any time to take care of so many things until the last minute, my taxes for example, I didn’t file until Friday, which is unlike me since I always file early so I can get my refund faster, especially since I could use that money for my trip to Canada.
I’ve been incredibly busy for the past however many weeks with work and life and people, though if you ask the people in my life they’ll tell you I was mostly working. On what, you ask? Well, I was assisting my good friend Hae-Jin on her lighting design for The Violet Hour, then was offered a co-design assignment for the lights on Julius Caesar, which is the following show.
As we head into spring break, we’ve finished about two-thirds of the focus, with another whole focus day when we get back, and I feel really good about the whole process so far. Rehearsals have been fun to watch, working with Will, the director, has been smooth and interesting, and the whole team feels really energized for the project.
If you’ve been keeping score at home, which I know you have been, you’ll know that this is my first proper design at school, and really my first proper design anywhere. I reworked Nancy’s design for pre-thesis two years ago (which I assisted her on) for the extra-short play festival Gone in 60 Seconds, and I did lights on the undergraduate production last year, Ti-Jean and his Brothers, but neither of those really felt like a real lighting design, one being based largely on someone else’s work, and the other being largely functional lighting based on group work and class consensus, rather than a true lighting design.
It’s a great honor for an undergrad to receive a design assignment, especially since the program largely exists to support the graduate program and their designers and directors. In fact the last undergraduate lighting designer was my good friend Tsubasa, and that was several years ago.
Transfer time. Back in a few once I get on the bus.